rembrandt harmenszoon van rijn self portrait in old age

Laban, Zeitschrift für bildende Kunst, 1898, pp. But as Adriaen was a poor shoemaker in Leyden while Rembrandt lived in Amsterdam, and as moreover Adriaen van Rijn died in 1652 while this model occurs in pictures of the year 1654, the identification is not very probable. The sitter is identified as Rembrandt's brother Adriaen. Strong light falls from the left at top on tin helmet and, touching the face as it passes, on the breast.

On his head is a richly wrought gilt helmet with ear-pieces and a plume of short white and red feathers. He wears a dark coat with purplish-red sleeves. He is turned a little to the right his eyes are cast down. This painting was documented by Hofstede de Groot in 1915, who wrote: Ģ61. 'It remains a great masterful work.' Documentation In November 1985, Berlin-based art expert Jan Kelch announced that important details in the painting's style did not match the style of Rembrandt's known works, and that the painting was probably painted in 1650 by one of Rembrandt's students.

They made their remarks while viewing the painting in West Berlin. The helmet is the dominant subject of the picture thanks to its color and light and the impasto application, against which the half-illuminated face and the dark background become less important.Ĭategorized as a work by Rembrandt for many years, doubts were expressed as to its provenance in 1984 by a Dutch curators' commission specifically created to investigate Rembrandt's works of questionable authenticity. The picture shows an elderly man in front of a dark background with a striking golden helmet on his head. The Man with the Golden Helmet is an example of Dutch Golden Age painting and is now in the collection of the Gemäldegalerie, Berlin. 1650) is an oil-on-canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle.

Rembrandt harmenszoon van rijn self portrait in old age